JEWELRY THAT I'M INTO

Natalia Brilli

I can't recall the first time that I came about Natalia Brilli's work, but I remember that there was something about it that spoke to me instantly. Perhaps it was the combination of leather and skulls? In the beginning of her career, Brilli manufactured all of her pieces herself with the help of her mother, but now that her business has expanded she has a small manufacturing team for the jewelry pieces (I can't remember if she told me 8 or 10 people?), and all handbags are made in Italy. She still personally works on all of the large-scale items and installation pieces at her studio in Le Marais.
Another one of draws to Brilli for me is her points of inspiration - trompe l'oeil, Louise Nevelson, nature morte, anatomy, and traditional adornment - all meticulously wrapped in leather. I also enjoy her purist philosophy of not mixing leathers or colors for each piece - something that I have felt strongly about in my own work. Its a goal of mine to someday purchase a piece of hers. (http://www.nataliabrilli.fr)

Maria Francesca Pepe

Maria Francesca Pepe's heavy sculptural pieces first caught my eye during my initial trip to Berlin in August '08. She was showcased at Sven's Projekt Galerie showroom, and although that season's selection was all incredible, she really stole the show. I've been following her ever since, and have not yet once been bored. In fact, I become more and more excited as her line expands. Some highlights for me include oversized plate-like necklaces that also function as garments, and garments that take on metal-like shapes. It doesn't help that I have a weakness for larger-than-expected cutouts, which the line is abundant with. (http://www.mfpepe.com)

Eddie Borgo

I began seeing candy-like smooth studded bracelets on a few wrists around town, and instantly became curious as to their origins. Fast forward a week or so and I find out that they come from NY local (and favorite of madame Kate Lanphear) Eddie Borgo. One could say that the usage of spikes and studs are getting to be overplayed, but in Borgo's case, I would argue that his treatment and application of such take them into a different realm. Braclets that drip spikes, diamond encrusted studs that are camoflauged in glamour. Pieces so shiny that you remember that they could very easily be dangerous. I've just become introduced to his work, and I can't wait to see what is coming next... (http://www.eddieborgo.com)